Frederica Mathewes-Green is a wide-ranging author who has published 11 books and 800 essays, in such diverse publications as the Washington Post, Christianity Today, Smithsonian, and the Wall Street Journal. She has been a regular commentator for National Public Radio (NPR), a columnist for the Religion News Service, Beliefnet.com, and Christianity Today, and a podcaster for Ancient Faith Radio. (She was also a consultant for Veggie Tales.) She has published 11 books, and has appeared as a speaker over 600 times, at places like Yale, Harvard, Princeton, Wellesley, Cornell, Calvin, Baylor, and Westmont, and received a Doctor of Letters (honorary) from King University. She has been interviewed over 700 times, on venues like PrimeTime Live, the 700 Club, NPR, PBS, Time, Newsweek, and the New York Times. She lives with her husband, the Rev. Gregory Mathewes-Green, in Johnson City, TN. Their three children are grown and married, and they have fifteen grandchildren.
[Again Magazine; December 2008]
The first thing we saw was a blinking sign warning us not to park on the interstate, and then a helicopter circling overhead. As we took the exit, signs assured us that all lanes led to parking, and every block or so a guy in security uniform was windmilling his arms, coaxing the herd of cars to creep forward. All the parking lots were full, their entrances blocked off by police cars. We followed the herd off the road to a vast field of gravel and hardened mud, and finally shut off the engine. Far in the distance we could see it, glowing like the Emerald City of Oz: Arundel Mills Mall.
[National Review; December 22, 2008]
There is so much to like about this film; it’s visually beguiling, it has some original characters, it’s free of crudity and pop-culture references, and it’s not screamy or exhausting. Why, then, did I find my interest evaporating within an hour of leaving the theater? I have a hunch—but let’s deal with the basics first.
Despereaux (voiced by Matthew Broderick) is a young mouse, smaller than his buddies, and sporting a pair of immense ears. “He heard more, saw more, and even smelled more,” says narrator Sigourney Weaver, than the other residents of Mouseworld (an appealing old-world town, where a mouse-sized Vermeer would feel right at home).
[Ancient Faith Radio; December 10, 2008]
FMG: Not too long ago, someone mailed me a copy of an article in a magazine called “US Catholic”. This is the November, 2008 issue. And it’s an interview with an author named Donna Freitas. She’s just written a book called “Sex and the Soul”. The subtitle is “Juggling sexuality, spirituality, romance, and religion on America’s college campuses”. In this interview, Freitas talks about the research that she did on college campuses- secular, Catholic, and Evangelical. She herself actually teaches at St. Michael’s College in Vermont, which I think is a Catholic college.
[National Review Online; December 5, 2008]
A movie based on a musician’s life follows a simple pattern: up, followed by down, rinse, repeat. Remember “Ray” (2004) or “Walk the Line” (2005), or the very pointed parody, “Walk Hard” (2007)? The stereotype is that great artists are born with a blessing and a curse: originality and creative daring come with impulsiveness and insatiability. The same traits that produce their art are the ones that will cause them to wreck their families and fall into addiction. (Somehow this pattern doesn’t apply to Johann Sebastian Bach.) Musical biopics lurch from heights to depths with scant room for character, or even plot, development.
[Christianity Today Movies; December 2, 2008]
‘Perhaps Just Out of Our Minds’
Christian filmmaker Buzz McLaughlin tries to find a niche between secular movies and preachy ones—only to find it’s an elusive market.
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In the independent film The Sensation of Sight, Oscar nominee David Strathairn plays an introspective English teacher who feels himself complicit in a tragedy, and then begins selling encyclopedias door-to-door to the locals. But his anxieties begin to consume him as various characters and dreamlike situations increase around him, ultimately pushing him toward an unexpected awakening.
It’s sort of a strange synopsis for a “Christian” movie—which it isn’t. The filmmakers behind Sight—which played 19 festivals worldwide, had a limited theatrical release earlier this summer, and is now available on DVD—are Christians, but they didn’t want to make a distinctively Christian movie.
[from A Faith and Culture Devotional, Zondervan, 2008]
When he opened the fifth seal, I saw under the altar the souls of those who had been slain for the word of God and for the witness they had borne; they cried out with a loud voice, “O Sovereign Lord, holy and true, how long before thou wilt judge and avenge our blood on those who dwell upon the earth?”( Revelation 6:9-10)
During the first centuries of Christianity, the church was battered within and without. Pseudo-Christians distorted the faith and misled the faithful, while the powerful Roman Empire persecuted Christians with torture and death. When local church members were able to gather the remains of their fellow-believers (often, this was forbidden), they lovingly interred these broken bodies beneath their altars, a reminder that the blessed departed are invisibly present to join us in worship. St. John writes that, in his vision, he heard the voice of the martyrs crying out from under the altar.
[Ancient Faith Radio; December 3, 2008]
FMG: Today I am at St. Justin Martyr OCA Church in Jacksonville, Florida, just south of Jacksonville, in the area of Mandarin. My family has owned a small farm here since 1880 or so; it’s been in the family, or with the in-laws of the family, since then. I came down to visit my sister, Dorothy, who’s a member of this church, and to visit my mother, who’s in a nursing home here, and now I’m talking to one of my favorite priests, Fr. Ted Pisarchuk. “Ball of fire” is what they call him behind his back, because he’s always up to something. You especially have a love of missions. Were you the founding pastor of St. Justin Martyr?
[Ancient Faith Radio; November 27, 2008]
FMG: I’m in a crowded and noisy banquet room here. This is the annual banquet for St. John Chrysostom Antiochian Orthodox Church in York, PA. I’m sitting here at the banquet table, we’ve just finished our… this was really a good meal. This was some kind of terrific filet mignon, sliced, a little garlic, almonds on the green beans, it was delicious. And in this little space we have between when they bring out the dessert- I love these banquets- I would like to talk to Fr. Elias Yelovich. What is the name of your parish, Father?
[Ancient Faith Radio; November 20, 2008]
Frederica Mathewes-Green: I’m sitting in the kitchen with my son Steve and his wife Jocelyn and their baby Ruth Anne, who is crawling around on the floor. She has just learning how to walk, but it’s a lot faster if you go by crawling. She’s carrying an arrowroot cookie, and dropping it, and sitting on it, and picking it up again. And every once in a while she sees that there are fingers on my hands, and she grabs a finger and tries to lead it—because she wants to walk holding on to my hands. So I kind of have to hide my hands where she doesn’t see them. Isn’t that right, Ruthie?
[Beliefnet; November 19, 2008]In 1993, over 15 years ago, I was chrismated and joined the Eastern Orthodox Church, but only lately has it dawned on me that I must have strained friendships over the years, due to my vocal enthusiasm for my adopted church. I can’t be the only one to have done this. Converts to Orthodoxy usually precede their decision with voluminous reading and research, so their friends must endure agitated lectures on church history, ancient heresies, and what words mean in Greek. Those friends benefit, no doubt, from this opportunity to practice patience and long-suffering. But why is our kind so characteristically obnoxious?