[National Review Online, November 11, 2005]
Keira Knightley has a way of squinting -- narrowing her eyes and looking simultaneously skeptical and perky - that I just can't believe they had invented in the early 19th century. This stands out solely because everything else about this production of “Pride and Prejudice” is so well-appointed, from the gently-worn blue paint on the walls to the cotton lace on the pillows. Jane Austen's 1813 novel has been brought to the big and little screens many times before, but this new version, directed by Joe Wright, can't be beat. It is charming, lively, and satisfyingly authentic.
[National Review Online, November 4, 2005]
Is the big green head of the Wizard of Oz still scary? It sure used to be. Back in the days when “The Wizard of Oz” was broadcast once each Spring, the moment when that looming lightbulb head boomed “Silence!” was the closest a seven-year-old came to numinous awe. (Though it was the witch cackling “I'll get you, my pretty,” that caused my little sister's feet to thump-thump-thump away down the hall.)
I ask because a good bit of “Chicken Little” is just as scary. Giant heads looming out of darkness and thundering “Silence!” is just one example.
[Rick Warren's Ministry Toolbox, October 20, 2005]
When news came out that the first of C. S. Lewis' Chronicles of Narnia, ”The Lion, the Witch, and the Wardrobe,“ was being made into major motion picture, Christians were understandably delighted. We have loved these stories for a long time. They're the ”bed-time stories" of evangelical Christianity. Most of us in pastoral ministry have read these seven short novels, maybe more than once. We've shared them with our children, and found more than one sermon illustration in their pages.
[NationalReview Online, October 18, 2005]
You had me at “Spasmotica.”
Cameron Crowe, director of “Elizabethtown,” has a knack for the perfect detail. In “Elizabethtown,” one of them comes along at the start: a billion dollars' worth of high-end athletic shoes are being returned to the factory, and on each box the ultra-hip name reads “Spasmotica.” With two dots over the first “a”.
[National Review Online, October 11, 2005]
About midway through “In Her Shoes” we see Rose Feller (Toni Collette, always a delight), semi-professional dogwalker, being yanked down the streets of Philadelphia by a team of mismatched pooches. It's a good metaphor for this film, which is propelled by several different stories at once, and some are livelier than others.
That's an eye-of-the-beholder thing, of course, and there were many in the audience who were happy-teary puddles by the end of the film. A great majority of that audience segment was female, and many of them were wearing red hats. If you don't fit that category, approach with caution.
[National Review Online, September 29, 2005]
Watching Roman Polanski's diligently faithful version of “Oliver Twist” prompts the question: how did anyone ever think they could get a musical out of this material? For 40 years now children have been prancing around theater stages, grinning and shouting about “Food, Glorious Food,” little aware of the relentless gloominess of the original. The darkness of Charles Dickens' 1838 novel must have come as a surprise even at the time; his only previous book was “The Pickwick Papers,” a jolly diversion. Dickens' fans eagerly awaited his second work, and as they paged through “Oliver Twist” it must have been as if Dave Barry had released “The Gulag Archipelago.”
[Books & Culture, September-October 2005]
Ungawa! Tarzan's timber-rattling call defies transcription, so we'll fall back on this all-purpose locution to salute this fine new box set of MGM's six Tarzan films. Ungawa is the perfect choice whenever you can't think of the right thing to say. It appears to mean Come here, Go away, Look out, Jump, and There's a cobra behind you. Just think how a sharply enunciated “Ungawa!” could clear a Starbucks when you don't want to wait in line.
However, Edgar Rice Burroughs, Tarzan's inventor, did not write “Ungawa.”
[Unpublished]
I don’t know when I’ve felt so ambivalent about a film. Let me first warn that it’s relentlessly foul and vulgar, so don’t think I’m encouraging you to run out and rent it. The DVD has been extended 17 min, so it’s even more raw than the film shown in theaters. But at the time of the Oscar nominations a couple of critics said that, if the Academy didn’t have indie-itis, and if comedies in general were not regarded as lesser films, this should have been considered for best film. If you could somehow filter out the crudity, it would indeed be very funny. And it actually has some interesting and appealing characters. Yeah, if it wasn’t so raunchy, it would be a very likeable movie.
[Beliefnet, August 6, 2005]
Summer days in the Holy Land are hot and still; the relentless sun beats down on green-gray shrubs and dusty rubble. It was on one such day - on August 6, as the church remembers - that Jesus took his closest disciples, Peter, James, and John, and led them up the side of “a high mountain.” It is Mt. Tabor that claims this honor.
Perhaps the three were used to being taken aside for private conferences. But they weren't prepared for what happened next.
[Morning Meditations, CSLewis Oxbridge Conference, Summer 2005]
“We Will Be Like Him” (I John 3:2)
England can be delightful in early August, when the mornings are cool and the afternoons bright. At home, on America's mid-Atlantic coast, it's so hot and gummy that the dogs are sticking to the sidewalks. This is one of those rare patches of year when Americans might like to come to England for the weather.
Yet in the Holy Land it's hotter still, as any pilgrim can tell you. This year's Oxbridge conference concludes on the feast of the Transfiguration, that event which arises from the most somnolent point of summer, when August is a still lake of heat.
